Notes on the storage and care of Looms
by
Tim Rumbinas, fine furniture maker and weaver in Sutton, Vermont.
Graduate of College of the Redwoods Fine Woodworking Program
Having just completed a refit on Gunnar, my “vintage” Glimakra, I thought it wise to submit some suggestions for keeping our looms functioning as their makers intended.
Practically all the damage that occurred to my Glimakra was from neglect. Correctly cared for, there is no reason that a traditional loom cannot weave for several generations with proper attention. Even in the hands of a production weaver, there are few parts to wear out – and these are easily replaced.
Wood is always a living material, in forest or loom. It expands and contracts, and responds to variations in temperature and humidity. When one side is or hotter or wetter (or conversely colder and drier, or several other treadlings), it will move out of shape. A careful maker selects and shapes his or her material to minimize this risk, but the ultimate responsibility for care lies with the owner.
As Glimakra looms are modular in construction, it is common to weave with less than the full compliment of jacks, lams, treadles, and shafts. If removed, these should not be placed up against a wall, on a shelf, near a heat source, or even with sun shining on one side and not the other. Wood responds best to a constant state of temperature, humidity, and tension. Unused lams and shafts should be stored in a cool, dry place, away from direct sunlight. My storage method is to loop a cord through the holes on the ends and suspend the parts from a sturdy hanger in a closet, with air circulating on all sides. Never bundle parts together tightly in storage, as they will eventually warp.
Situating your loom is also important. It is unwise to place it close to a radiator or other source of heat, in a sunny window, or in a very moist or dry environment. As many of us rely on central heating and cooling as the season dictates, household humidity can vary greatly throughout the year. Consider adding a humidifier (or dehumidifier, if you are in a wet environment) to your weaving studio. You will find it not only protects your loom, it will make your work more consistent. All natural and some unnatural fibers respond to their environment, as do you. Warp with linen in the dark of winter next to the wood stove if you need further evidence.
Learning to respond to your loom can make you a better and more sensitive weaver. The simple task of tightening the wedges is a case in point. When they are at the correct tension, you do not need hands or eyes to judge their condition. They change their music. That’s magic, in a simple and lovely way.